Watercolours
2000 –
Painting is largely a right-brain exercise. However,
in my interpretation of a Zoltan
Szabo painting, I found
that to create the shadows of the
trees (revealing
them by wiping out the blue), the
left brain had to
come into play, and I felt almost
schizophrenic as I
shifted back and forth to assess the
results. It was
quite an experience!
Painting is dancing with chaos. (Melanie Circle)
Midnight Moonlight
2000 – I imagine this scene could be
reminiscent of many
places, but my interpretation of a Szabo work takes us
back to a spot on the Yucatan Peninsula near the Mayan
ruins of Tulum. The Caribbean is very clear and a lovely
turquoise blue because of the white coral sand.
Men seek out retreats for
themselves in the country, by the seaside,
On the mountains... But all this
is unphilosophical to the last degree...
When thou canst at a moment's
notice retire into thyself.
(Marcus
Aurelius)
2000 – I really enjoyed painting this –
brought back
memories of our many camping trips into Mexico.
Especially welcome on a cold, dull February day when I
could imagine just relaxing in a hammock for an afternoon
siesta in the warmth of a shaded, scented Mexican
garden.
Sometimes
when looking through my pile of drawings, I find an image
that
awakens in me a passionate desire to inhabit it, as though I were
to
feel more at home in it than in myself. (Jean Hellion)
A Mexican Garden
2001 – Because we live in central Ontario
which is relatively
flat, I have always been impressed by the grandeur of
the mountains. When my eyes are drawn up to their
peaks, my spirit is lifted higher as well, and it must be
wonderful to awake and see them from your window
first thing in the morning.
A
heightened sense of the observation of nature is one of the chief
delights
that have come to me through trying to paint.
(Winston
Churchill)
Misty Mountain Morning
2001 – Although it was late in the
spring, Skyline Drive in
Glacier National Park had just been cleared of its final
snow the day before. The air was so crisp and clear,
we felt like we could see forever and this vista opened
up just as we neared the top of the Continental
Divide.
You are not copying nature, but responding to nature in full
awareness, to the way nature expresses itself in that object.
(Frederick
Franck)
Montana Springtime
2002 –
This is painted from a little book I found in the
library. Many times during our walks
near the lake we come
across scenes much like this where
the beauty of nature
is enhanced by her creatures. In
2006 we began to see
these lovely Trumpeter swans
spending some time in the
Narrows in front our home on their
way south in the fall
and how lucky is that!
People mistakenly think that art
is about nature, or about an artist’s
feelings about nature. It is
instead a path of enlightenment and
pleasure, one of many paths,
where nature and the artist’s feelings
are merely raw material. (Wolf Kahn)
2002 – One of the magical
sights in Nature is that of the
Aurora Borealis as it shimmers over
the starlit northern
night. A friend of mine who used to
live in Dawson
Creek says that some nights she
could actually hear
the music of the Northern Lights.
This image was used in Seed of The Cosmos found in ‘Our Stories’
We all live under the same sky,
but we don't all have the same
horizon. (Konrad Adenauer)
2002 –
The sound of rushing water in a woodland stream helps
me anticipate the coming spring. The
air will warm, trees
will soon leaf out and the stream
will slow to a murmur,
but for now the anticipation is all
there is, and it is
enough.
Nobody is painting from nature…
Painting is painting and you cannot
copy nature. Yet without nature
there is no painting. Even abstract
painting cannot exist without it. (Yossef Zaritsky)
2002 – The inspiration for this painting
came from the web.
I felt that the intricacy of
nature’s roses on one side of the
painting and the delicacy of the man-made lace opposite them
created balance, the state we try to achieve in our lives.
This image was used in Insight Across The Borderlands, found in ‘Our
Stories’
Creativity is that marvelous
capacity to grasp mutually distinct realities and
draw a spark from their
juxtaposition. (Max
Ernst)
2002 – The eyes see the object, the brain
registers “flower” and
the emotions - using the hand as an instrument - interpret it.
It may not be a ‘true’ representation (like a photograph) but
rather, artistic license to paint what one feels about what one
sees –one of the many joys of painting.
If the eye watches the hand,
this would enable the marks being placed on the
page to receive the proper
guidance, but the results would be memory and
destroy the potential of drawing
the reality. (Lorne
Coutts)
2003 – Early morning sunrise, so quiet, no
one here but me and
the loon I can hear in the distance. A beautiful beginning
to the day, a time to reflect and give thanks.
If water derives lucidity from
stillness, how much more the faculties of
the mind! The mind of the sage,
being in repose, becomes the mirror
of the universe, the speculum of all creation. (Chuang Tzu)
Sunrise Solitude
2003 – Probably our favourite camping
place on the west coast
of Mexico. Keith is enjoying one of the spectacular sunsets we
see there and often there’s the added bonus of dolphins playing
in the ocean in front of us, showing their joy of life in spinning
leaps.
This image was used in What Bernie Saw, found in ‘Our
Stories’.
Snatching the eternal out of the
desperately fleeting is the great
Magic trick of human existence. (Tennessee Williams)
Chacala Sunset
2003 – Reminiscent of docks in fishing
ports along the
coasts of North America, I had fun following the example
of Zoltan Szabo and letting the colours flow where they
would. However, I hope I’ve conveyed the essence and
you can smell the fish and hear the lapping of the water.
Seeing is polysensory, combining
the visual, tactile, and
kinesthetic senses. (Robert McKim)
Fishin’s Done
2004 – This house overlooks the beach at Zipolite.
There must have been interesting times constructing
it, as the hill on which it sits is much higher than
depicted here.
Not only does it catch whatever ocean breezes are
available, it commands a view of the
whole length of
the nudist beach and its occupants must see some very
‘revealing’ sights.
The
vistas of possibility are only limited by the shortness of life.
(Winston
Churchill)
2004 – For quite a while I’d wanted to
try portrait painting and
who could be a better subject to start with than one of our
grandsons, Sawyer. Due to circumstances, he will stay forever
this young in our hearts and minds.
The child must know that he is a
miracle, that since the beginning of the world there
hasn’t been, and until the end
of the world there will not be, another child like him.
(Pablo
Casals)
Sawyer
2006 – We were ‘just looking’ in June 2004 when we visited our
local animal shelter but apparently this beautiful animal was looking
too and luckily, she chose us. Our lives have been enriched ever
since by the devotion and love she shows and her qualities of
gentleness and intelligence are amazing.
In the white man’s cities, there isn’t one single place where there is silence,
peace.
One single place where one can hear the leaves rustle in the spring and
the whirring
of an insect’s wings. Maybe this is because I am a savage and I cannot
understand….
What will happen to man without the animals? It would be the end of living,
and the
beginning of existence. If all the animals disappeared, man would die of
spiritual solitude.
Because everything that happens to the animals can affect men.
Everything is related.
(Chief
Seattle)
Lady
2011 – Similar in colour, temperament and close in age,
these two are the best of friends, even to sharing the
same sleeping cushion at night. Now that another winter
is coming, we’ll all be sharing the warmth and light of our
cozy fireside.
Animals are such agreeable
friends, they ask no questions, they pass no criticisms.
(George
Eliot)
2011 – This is Remedy. She came to live
with us 16 years ago and
seems to like it here. When searching for a name for her, we
remembered reading about Rupert Sheldrake’s wife, Jill Purcell,
naming her cat Remedy because when she felt low in spirit,
just
cuddling the cat and feeling the vibration of her purr would make
her feel better. And our Remedy does the same for us.
A
work of art requires the presence of two spirits. The first is the spirit of
the
subject
matter – the second, the object or thing that the work is based on –
Nature’s
spirit. (Robert
Genn)
Remedy
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